Yes, poor little old you. There we were, discussing rape, violence against women, systemic oppression and other manifestations of sexism, and you had to jump in to remind us that “not all men” do these things. Why don’t you really say what you want to say? “I HAVE NEVER RAPED/HIT/ASSAULTED A WOMAN!” Right? Isn’t this what you really want to say? Yes, make a discussion that is about the plight of MILLIONS of women about poor little old you. I mean, millions of women are being assaulted and oppressed, but you’ve never done it, so why are we making you uncomfortable with these discussions?
The Dornishman’s wife was a s f a i r a s t h e s u n,
and her kisses were warmer than spring.
"Do you know what’s funny? Sometimes I’ll see photographs of myself in the early days of The X-Files and I think that my attitude towards the whole thing was very similar to Kristen Stewart’s,"
“There’s a very similar look in my eye; slightly defiant, slightly bored. All I ever got was: ‘Smile! Smile!’ when I didn’t want to smile. And I really wish that somebody at that time had told me: ‘You know that it’s OK to be who you really are’.”
Gillian Anderson on Kristen Stewart
You were the boy, weren’t you—the servant boy who got us out? You saved her life and mine, then you restored her to me. Yet, you want no reward. Not anymore.
Laverne Cox attends the amfAR Inspiration Gala at The Plaza Hotel in NYC on June 10, 2014
art history meme | 4/7 sculptures/other media: Winged Victory of Samothrace (Nike of Samothrace) (200-190B.C.)
The Nike of Samothrace, discovered in 1863, is estimated to have been created around 200-190 BC. It is 8ft (2.44m) high. It was created to not only honor the goddess, Nike, but to honor a sea battle. It conveys a sense of action and triumph as well as portraying artful flowing drapery through its features which the Greeks considered ideal beauty. It stood on a rostral pedestal of gray marble from Lartos representing the prow of a ship (most likely a trihemiolia), and represents the goddess as she descends from the skies to the triumphant fleet. Before she lost her arms, which have never been recovered, Nike’s right arm is believed to have been raised, cupped round her mouth to deliver the shout of Victory. The work is notable for its convincing rendering of a pose where violent motion and sudden stillness meet, for its graceful balance and for the rendering of the figure’s draped garments, compellingly depicted as if rippling in a strong sea breeze. The Nike of Samothrace is seen as an iconic depiction of triumphant spirit and of the divine momentarily coming face to face with man. It is possible, however, that the power of the work is enhanced by the very fact that the head is missing.